Beautifully presented and tech-flawless, watching has brought light to dark times.
Sf opera orchestra free#
Surprisingly satisfying, and a fine and intimate way to keep in touch and be better acquainted, the free content will remain and continue to evolve. Performances are May 6 and May 13.Ĭonductor James Gaffigan (Source: Vera Hartmann/SF Symphony)įor months, the San Francisco Symphony has been streaming a rich selection of digital performances.
A 70-minute program of operatic favorites, The Adlers: Live At the Drive-In, spotlights the 2021 resident artists, including sopranos Anne-Marie MacIntosh, Elisa Sunshine and Esther Tonea mezzo-soprano Simone McIntosh tenors Zhengyi Bai, Christopher Colmenero and Christopher Oglesby baritone Timothy Murray bass Stefan Egerstrom and pianists Kseniia Polstiankina Barrad and Andrew King. SFO's return to live performances includes a welcome chance to witness eleven Adler Fellows in open-air concerts at the Marin Center. Alek Shrader, reprises the role of the Count that he last performed at the War Memorial Opera House in 2013. Mezzo-soprano Daniela Mack is Rosina, with Laura Krumm singing the final three performances. Baritone Lucas Meachem is Figaro, the titular barber. Streamlined to fewer characters, the exciting cast ensures fast-paced action. The pandemic isn't over yet and opera is a respiratory art, but specially designed singers' masks will be removed onstage. Presented without chorus for health reasons, conductor Roderick Cox makes his Company debut leading an 18-piece SFO ensemble, performing in an 80' by 40' orchestra tent. Social distancing is built-in, and masking remains in common areas, but the Marin Center Drive-In and Fairgrounds create a big open-air venue following safety protocols developed along state, local and industry guidelines.ĭaniela Mack as Rosina and Alek Shrader as Count Almaviva in Rossini's 'The Barber of Seville.' (Source: Stefan Cohen/San Francisco Opera)Ī new 90-minute adaptation by Director Matthew Ozawa is romping its way intermission-free. Whether you drive or have friends with a vehicle, a new production in English of Rossini's perennial favorite The Barber of Seville seems a fine choice for a happy return to business. No carhops or window speakers, an FM signal mix is broadcast to each car, but no one will stop you from bringing your own popcorn. SFO predicted live opera for spring back in February and, with customary ingenuity and ambition, is making good on the huge promise with big drive-in performances and outdoor simulcasts. It only feels sudden because the pandemic has destroyed our sense of time.īoth organizations have been planning cautiously for the resumption of live concerts for months. After more than a year of waiting and worry, the San Francisco Opera (SFO) and San Francisco Symphony (SFS) are back to live, in-person performances.
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